The Bonzo Dog Doo-Dah Band

We used to live near Muswell Hill. One day, my parents from up north came to visit and we went for lunch at the legendary Clissold Arms. On the way home, we passed a tall gentleman ambling along Fortis Green Road. It was Vivian Stanshall. We said good day to him and he replied “My dear old chap”. I explained who he was to my parents. ‘Oh, we recognised him straight away’ they said.

Mr Stanshall was the face of the Bonzo Dog Doo-Dah Band, or the Bonzo Dog Band, or just The Bonzos. He was an instantly recognisable character, and the world is a worse place now he is gone.

The Bonzos were founded in south east London in the mid-1960s. They were quite inclined to more traditional comedy style jazz tunes. In those early days, the line up was flexible, and there’s a whole history relating to other bands like The Pasedena Roof Orchestra and Bob Kerr’s Whooppee Band, but we will skip that here.

Rodney Slater, one of the original founders and player of all things brass, woodwind and, well anything, kept the band going as people came and went and there was a slow move towards rock comedy rather than jazz comedy.

Neil Innes joined on guitars and keyboards. The line up was always fluid, but the best known line up is Stanshall, Slater, Innes, Roger Ruskin Spear, Larry Smith and Dennis Cowan.

Before they reached this line up, albums had been produced. The first is Gorilla (1967).

This has some classic tracks, including Death Cab For Cutie, The Intro And The Outro and I’m Bored. While a little basic, it’s a hugely enjoyable LP.

Next was an appearance in The Beatles’ film Magical Mystery Tour (1967), singing Death Cab For Cutie.

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Now And Then

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The end of The Beatles

If you are a Beatles fan you will know this, so apologies.

A history lesson

John Lennon died in 1980. George Harrison died in 2001.

Between those two years, the living individual members of the fabs made albums, had bands, retired, made films and did whatever, and at times relations were strained, and at other times not. (And some John Lennon stuff made an appearance.)

But the three came together in the mid-1990s for The Anthology project. It was an attempt to present The Beatles’ history by the Beatles, sanitized and approximate. There was a coffee table book, a tv series and three boxed sets.

The music aspect brought together a load of stuff: old session recordings, live performances, BBC stuff, talking and interviews… Whatever you may think of what was included and what not, and how it was presented (and many people do dislike it), it is better to have it than not.

There were to be three new tracks, based on demos Lennon had recorded, one for each boxed set. Real Love and Free As A Bird got made over, with new material from the three living lads, and help from Jeff Lynne. They did pretty well, sales-wise, but met with a mixed reaction from fans. And it was really only the fans who were interested.

The third song, Now And Then, was started and worked on, but the original recording quality had noise problems and it was abandoned.

Come 2017 and it’s the 50th anniversary of Sgt Pepper’s Lonely Hearts Club Band. Giles Martin is let loose to make it sound more modern and in-your-face, with thumping bass, high volume levels and a lack of sublety. The big package sold well. The Beatles, Abbey Road and Let It Be followed. There’s a market for this they discover.

Whatever you think of these new mixes, yes they do have more detail but I contend that the original vinyl pressings are more pleaserable to listen to.

Other albums, going backwards from Revolver, are going to be difficult to remix because of the way they were recorded.

Then Peter Jackson and his chums appear on the scene with software that can extract the different instruments onto separate tracks so that ‘errors’ can be fixed and the bass gets a boost. So now we have a Revolver box set, 2022.

That brings us to today, I mean literally today.

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