No vehicles please

One of the main shopping streets in central London is Oxford Street. It starts at Tottenham Court Road and goes along pretty well straight, past Oxford Circus and Bond Street, to Marble Arch.

Oxford Circus roughly divides the street into two halves. The western end has Selfridges and Bond Street and John Lewis.

In recent years, the area has gone down hill. So many of the smaller shops are empty and abandoned, and many many others are these American sweet shops. Apparently they are for money laundering. We don’t understand it at all.

Hannah Ricketts has done several YouTube videos on the area, and here is a link to the latest: https://www.youtube.com/watch?v=uHz72fExrmQ

We don’t go there very often, because we don’t need to and because of the crowds. Security is never great when there are so many tourists about.

We always recognised Selfridges as a good shop. Their cheese counter was second to none.

We have posted pictures of the Xmas lights and some of the shop windows. Maybe it’s us, but every year they seem a bit more disappointing and just cheap advertising.

Buses and taxis used to be able to go down the street and it was great if you had to do some shopping, or just to sightsee. But now it’s gone pedestrian in the western half.

No Imagination

If you ever see an interview or article about record engineer and producer Alan Parsons, he will talk a lot about the artists he has worked with, especially The Beatles and Pink Floyd.

But Parsons has a long list of credits, and you can read about him elsewhere. His production style is very clear, precise and rather bass light.

There was a point in the 1970s where Parsons met Scottish songwriter Eric Woolfson.

Woolfson had an idea for a concept album and asked Parsons to engineer and produce it. They decided, somewhat as a joke, to call it The Alan Parsons Project. Thus was Tales Of Mystery And Imagination born, based on some of the works of Edgar Allan Poe. Charisma 1976.

There was never really a fixed band called The Alan Parsons Project, just a collection of musicians Parsons and Woolfson had worked with or knew, including (over the years) members of Pilot, John Miles, Chris Rainbow, Gary Brooker and Arthur Brown.

The album was something of a success, so more came, now on the Arista label.

Parsons produced, played a little keyboards-ish and never sang. Woolfson did, especially on later albums.

I Robot came next, based on Asimov books, The Turn Of A Friendly Card on gambling, Gaudi on, er Gaudi and no-one mentions Eve any more (on women and their problems). And more.

Eventually, Woolfson and Parsons were to split. Their last album together, Freudiana, was produced by Parsons and featured many regular players, but has only Woolfson’s name on. 1990.

Woolfson went on to do more musical theatre stuff, especially in Europe, and Parsons did various things, including touring (where he played instruments and sang) and having recurring musicians and a genuine group. There were concerts with orchestras and without. We saw them twice in Shepherd’s Bush in the UK and at the Town Hall in NYC, not so long ago. And there were new records.