Category: Photography

People would bring their exposed films before we closed at 10pm. The manager would drop them into the nearby processing house, George Stocks, surely long gone, and they would be delivered back by tea time the next day.

Then we did a slightly naughty thing. The manager would go through all the packs quickly to look at the snaps. There were several reasons for this.

Firstly, to identify any consistent issues, under or over exposure, out of focus, poor flash etc, so we could advise the customer what they were doing wrong.

Secondly, to find a nice picture with recognisable people on and put it to the front of the pack. So, when the customer came in and we opened the pack to say “Are these yours?” (mix ups could happen) they could see a nice picture of someone they could recognise, be happy and then pay up the fairly high cost of developing and printing needed.

On a good day we could get sack loads of film in for processing.

I used to work at a camera shop by the seaside. In truth, it wasn’t a camera shop like Jessops. We catered for the people on the beach, so we did sell cameras, mostly Kodak Instamatic, some Polaroid and others, but we sold lots of film, postcards, batteries and other bits you would need on holiday eg sun cream.

On a busy Sunday, when the sun was shining, we could sell literally a van load of film. We would run out. Mostly it was the 126 format. I can still remember the routine:

• Black and white or colour?
• Prints or slides?
• 12 or 20?
• Kodak or Agfa (or even Fuji)?

99% of the time it was Kodak (recognisable in the yellow box) colour prints. 68p or 81p. 20 prints seems better value, but there’s processing to be added. Sometimes we asked about film speed too.

The little cameras were simple but pretty foolproof. Some people thought they were instant pictures, but no, instant loading, in daylight, unlike the slightly more tricky 35mm format. But there were many others. Agfa Rapid was my favourite.

Taking the camera onto the beach could be a problem. There were little holes in the film and a small pin that would ‘lock’ the film as you wound on, when it reached the right place. Sand could get into the camera and the pin would stick, so the film just kept winding. Really, you needed to dismantle the camera and give it a good clean. When you’re on the beach having fun, you don’t want that. Plus, it’s too expensive.

The cameras were brought in and we did what we could, at no charge, but I remember the manager failing more often that succeeding. Until one day, when he put the camera rather firmly onto the counter. “I bet that’s fixed it”, I remarked, and it had. The grit was dislodged. It was a temporary fix, but it worked nearly all the time.