King Crimson I

The history of KIng Crimson is so long and complicated, and on-going, that we won’t even bother to cover it all.

They began as Giles, Giles and Fripp:

Peter and Michael Giles and Robert Fripp

Robert Fripp guitar, and the constant element in the band

Peter Giles bass and vocals

Michael Giles drums and vocals.

Success was modest.

Adding multi-instrumentalist Ian McDonald, Greg Lake on bass and vocals (P Giles left) and Peter Sinfield as lyricist and light show genius, in the days before light shows were a big thing, made King Crimson. It was 1968.

Fripp, McDonald, Giles and Lake

KC’s first album was a big success, but M Giles and McDonald hated touring and other things and left, McDonald to form Foreigner. Thus started a pattern where each new studio album had diffferent people playing until 1981. Then, things settled. Fripp has been a constant presence, and it is hard to imagine KC without him.

Over the time there have been some gaps, when Fripp has gone off to do other things. Forming new bands he often found they were just King Crimson in the end.

But the line up has included people of immense musical skill, including:

Tony Levin bass and vocals

John Wetton bass and vocals

Bill Bruford drums

Adrian Belew guitar, percussion and vocals

Mel Collins woodwinds

Gavin Harrison drums

and many more…

The band is still touring, as a seven piece with three drummers who have to be seen to be believed, still playing the old songs that still sound just great.

But now, let’s talk about the music.

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The Adventurer

On the subject of ITC, I have been watching a somewhat forgotten (perhaps rightly) series called The Adventurer.

It stars American actor Gene Barry as Gene Bradley (get it?), secret agent/investigator/spy who works for some branch of the British government and who uses a cover as one of the most famous movie actors who lived. Everyone knows Gene. I mean, everyone. How he has survived as a secret agent is never explained. Gene knows everyone who is rich and famous, and has had affairs with many.

There were twenty six half hour episodes, well, after adverts it was barely 25 minutes, and comes from the early 1970s.

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TV times

I don’t write that often about current tv, mainly because there’s a lot of it and it is mostly bad, or repeats of bad.

I grew up in the 1960s, when the UK had just two channels (later three), BBC and ITV.

It was a period of time when the UK produced some of the world’s greatest tv, regarded these days as classic cult tv. Many of the series are still shown on the cable channels. They were mostly, perhaps all, filmed on genuine film stock and have survived, and many have been restored and are available on box sets at reasonable prices.

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