Kodak

I became interested in photography in my early teens. I had an Ilford Sprite camera that took 127 roll film.

Ilford was a UK company noted for film manufacturing, especially black and white. The Sprite could take colour, but I don’t think I ever tried. I do have a big pile of black and white snaps from the later 60s that still look good.

My parents had a box camera that I never managed to get working.

When I worked in a camera shop, for five years, the big name in photography was Kodak. Kodak was founded by George Eastman in Rochester NY. Eastman had a house there and you can still visit it. There’s a cinema and often photography exhibitions and events.

Kodak had a saying: You Press the Button, We Do The Rest. If it was easy to take pictures you would, and you would and buy their cameras and film.

Kodak made all types of film for photographers and for the cinema industry.

In our shop, by the seaside, the yellow box was a familiar sight and Kodak’s invention, the Instamatic camera, was hugely popular. On a sunny Sunday we could sell literally hundreds of films, and get them processed ready for the next day.

They also invented a smaller size film, the 110. The cameras were tiny. The picture quality was not good because of the small negative size. It was relatively a failure.

When digital photograhy started to become a thing, Kodak had an opportunity but missed the boat. It’s funny as, technically at least, they invented the first digital camera.

They are still around. Yes, you may be surprised to hear that. They do still make film, especially specialist film for movies. But the company has shrunk, and its future seems uncertain.

Here’s a recent article: https://edition.cnn.com/2025/08/12/business/kodak-survival-warning

The Repair Shop II

The repair

The expert will say multiple times how difficult it is, how priviledged they are to be allowed to work on it, and so on.

At the start, they ask what the item is, how it got to such a state, what the customer wants and so on. They often remark that they are not sure what they will do to fix it. Very often they remark to the camera just how thrilled they have been to do something.

We’re never convinced of this, but understand it’s for the show. When the producers are choosing items, a good sob story will be highest priority, then an interesting object, then an assessment of the chance of success (after all, failure is not good tv) and the expert must be involved. They must know what is coming, to have the right tools and so on.

In a sixty minute show you may see five minutes of each actual repair. There may be four in an hour show. Vast amounts of time are given over to the sob stories, clips of other repairs not in that show, scenes of the countryside and of the experts having a chat or a cuppa. All very lovely, but filler.

The impression given by the show is that the expert does it themselves, in the barn. As we said before, there’s no indication of how long any job may take. It could easily be taken away, worked on and then brought back.

Someone remarked to us once that they believed at least some of the experts have assistants and off screen helpers. We don’t know if that’s true, but it doesn’t invalidate the repair. It’s just not usually mentioned in the show.